The Blue Room, 2020. Acrylic on canvas.
Lot 3

Harriet Nalubega (b. 1985)

The Blue Room, 2020

Acrylic on canvas

120 × 100 cm

Estimate KES 700,000–1,000,000

Bidding

Sold

KES 1,300,000

Hammer price. Buyer's premium of 20% and VAT on the premium are added.

How bidding works

Bids · 22

  1. KES 1,300,000 Paddle 290 In the room 00:17
  2. KES 1,200,000 Paddle 341 In the room 00:17
  3. KES 1,100,000 Paddle 493 In the room 00:17
  4. KES 1,000,000 Paddle 134 In the room 00:17
  5. KES 950,000 Paddle 462 In the room 00:17
  6. KES 900,000 Paddle 104 In the room 00:17
  7. KES 850,000 Paddle 386 In the room 00:17
  8. KES 800,000 Paddle 341 In the room 00:17
  9. KES 750,000 Paddle 483 In the room 00:17
  10. KES 700,000 Paddle 124 In the room 00:17
  11. KES 650,000 Paddle 154 In the room 00:17
  12. KES 600,000 Paddle 268 In the room 00:17
  13. KES 550,000 Paddle 114 In the room 00:17
  14. KES 500,000 Paddle 200 In the room 00:17
  15. KES 480,000 Paddle 104 In the room 00:16
  16. KES 460,000 Paddle 483 In the room 00:16
  17. KES 440,000 Paddle 386 In the room 00:16
  18. KES 420,000 Paddle 290 In the room 00:16
  19. KES 400,000 Paddle 168 In the room 00:16
  20. KES 380,000 Paddle 344 In the room 00:16
  21. KES 360,000 Paddle 147 In the room 00:16
  22. KES 340,000 Paddle 404 In the room 00:16

About the work

A woman in a marigold dress sits with her back to us in an armchair, in a sitting room painted entirely in cobalt: walls, curtains and the patterned cloth of the chair are all the same intense blue, divided only by pattern. Painted in the first months of 2020, it is one of the largest of Nalubega's interiors.

Condition

Very good. Unvarnished, as the artist intended.

Provenance

Private collection, Kampala; by descent to the present owner.

Exhibited

Kampala, Rooms, a group exhibition, 2021.

The artist

Nalubega paints women in rooms: sitting rooms, waiting rooms, the back rooms of salons. Walls, curtains and dresses are all given the same weight, so that her figures sit inside a field of pattern and saturated colour. She trained as a textile designer before she turned to painting, and still begins every picture with a strip of fabric pinned beside the canvas.

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